Proof that intricately constructed orchestral music need not be a sit down affair. had dirty, dirty guitar riffage, and a heavy, thundering beat that. The last point to make is that Gilles Olivesi and Boris Darley’s superlative engineering gives the music a warmth and thickness that matches the best records in techno or hip hop, with the sub-bass tones in particular jumping out of the speakers. Sampling had become an integral part of dance music production, hip hop had been.
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But, as is often the case in his Claudia work, Hollenbeck has a real knack for creating mobile thickets of counterpoint and interlocking gamelan-like motifs that give the work a kind of omni-directional quality: there is sideways as well as forward motion …ONJ executes the material brilliantly with soloists such as saxophonist Matthieu Metzger and pianist Eve Risser lacing their statements with deftly handled electronics that enhance the general hypnosis of the scores. Lennox and his Animal Collective bandmate Dave Portner (aka Avey Tare) were asked to play their landmark 2004 album Sung Tongs in full at Pitchforks 21st anniversary concert. “This has yielded compositions that strike an artful balance between engaging rather than monotonous ostinato figures and astute changes in harmony, tempo or meter, which is, of course, something that has historical precedents from Ellington to Don Ellis. Turning the notion of instrumental function on its head without a moment’s hesitation, the wind instruments drive the beat, while the prepared piano moves onto the percussion side of the orchestra… It’s all about the idea of movement, conveyed in these mesmerizing rhythms, always and forever crisscrossing so as to ease our separation from self.
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John Hollenbeck‘s compositions, inspired specially for this program, stem from an extensive collaboration with Daniel Yvinec and reveal the excitement and body of classical works, in a series of ten mini-concertos, each one dedicated to a different orchestra musician tailored to their unique personality and language. The spotlight turns to rhythm in all aspects of expression, at times even where least expected: a ping pong ball bouncing across piano wire, miscellaneous objects mistreated by computer software, instrument keys, hands rubbing, PVC tubes morphing into melodies… Percussion is everywhere, a bona fide sequence of powerful melodic passages that blend the shades of a repeating musical sound, pygmy music, art music, electronic music, not to overlook a Gnawas’ trance or a Duke Ellington swing. Ngun nhc thnh ca c su tm t rt nhiu ngun trn Internet.
Produced in a creative sphere covering New York, Paris, Berlin and Saint-Rémy-de-Provence, Shut Up And Dance emphasizes the relation between music and movement. Website tng hp cc ca khc thnh ca MP3, Video, PDF, Lyric, li bi ht, hp m qu c gi c th nghe nhc thnh ca Vit Nam trc tuyn. Vincent Lafont piano, keyboards, electronics
Guillaume Poncelet tpt, flugelhorn, keyboards Shut Up and Dance Orchestre National de Jazz 2010, BeeJazzĪntonin Tri-Hoang clar/ bass cl, alto sax, piano
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